Title: The Merciful Crow
Series: The Merciful Crow #1
Author: Margaret Owen
Publication Date: July 30, 2019
Publisher: Henry Holt (BYR)
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ARC provided by the publisher through Edelweiss. All opinions expressed in this review are my own.
A solid story from start to finish, debuting author Margaret Owen tackles discrimination head-on in The Merciful Crow.
A future chieftain
Fie abides by one rule: look after your own. Her Crow caste of undertakers and mercy-killers takes more abuse than coin, but when they’re called to collect the royal dead, she’s hoping they’ll find the payout of a lifetime.
A fugitive prince
When Crown Prince Jasimir turns out to have faked his death, Fie’s ready to cut her losses – and perhaps his throat. But he offers a wager that she can’t refuse: protect him from a ruthless queen, and he’ll protect the Crows when he reigns.
A too-cunning bodyguard
Hawk warrior Tavin has always put Jas’s life before his, magically assuming the prince’s appearance and shadowing his every step. But what happens when Tavin begins to want something to call his own?
This book took me by surprise in all the best ways.
Rich and immersive, The Merciful Crow is everything I wanted in a Fantasy and more. An intriguing story set in a unique universe starring diverse characters in an epic quest – this is the kind of book that’ll take you by the scruff your shirt and drag you inside its world not caring if you’re ready for it or not.
Margaret Owen writes with a razor-sharp and unyielding – which fits TMC. From the get-go, she immediately sets the tone and pace of the story with a punchy first line, sustaining it right to the very end. Her characters, all from diverse backgrounds, appearances, and gender identities, take readers on a high-stakes quest across their kingdom. It was a frame after frame of action that kept me on my toes (and kept me turning the pages.)
But more than those obvious bits, there’s just so much more to The Merciful Crow and it’s these elements that make this book stand out.
A well-built world and a unique magic system
This is the first thing that really stood out for me. It was obvious the careful planning that went into the making of this story’s universe. Owen crafted an expansive kingdom of diverse peoples; a kingdom where a person’s birthright determines their fate – caste, trade, and magic included.
It’s a fictional world that still feels pretty much like ours. You could easily draw out real-world parallels – the Hindu caste system and the bubonic plague immediately came to my mind when I started this book – which helped with filling out the minute details.
The bigger elements though, like the details about each group’s magic and how it works, were seamlessly woven into the narrative and it made for a smoother flow of the story. No info dump here, whatsoever!
A story that bites
The Merciful Crow takes an unflinching look at discrimination and systematic prejudice. The kingdom’s caste system provides a rich ground for inequality to grow and fester, with people thinking their caste being above others by basis of birthright alone. The Oleander Gentry – something that just reminds me so much of the KKK with their white cloaks and masks – and the power-hungry Queen Rhusana capitalizes on their people’s prejudices to advance their own agendas.
TMC hits close to home, probably too close. A hard truth as it is, the things that the Crows – being the lowest caste – suffer in this story is the reality of a lot of people in our world. I very much appreciate how the author handled these topics. She was harsh when the story called for harsh and empathetic when the story called for empathy, never sugarcoating anything. It was this that made this story more real to me.
A feisty female protagonist you can rage with
Hands down, Owen did a great job with her characters. All of them are fleshed out, their mannerisms and actions, the way the relationships between characters developed were very organic – realistic. Still, somehow, Fie just really sets herself apart.
Fie is one angry lady and, I say, she has every right to.
Being a Crow, Fie has seen and experienced just about all the injustices the higher castes threw down their way. Her mother was brutally murdered by the Oleanders, the same people who seek their help with the plague won’t even pay them their due. Nevertheless, despite these, Fie’s spirit remains unbroken. She refuses to accept things as they are and will do her damndest to change the status quo for herself and the Crows.
Fie’s such a powerful character, one you’ll root for to win. In a plot-driven story, she broke through and made me feel whatever she was feeling, and that’s a testament to how Owen wrote her character.
I absolutely loved The Merciful Crow. It’s a unique story that just feels so real perhaps because of the hard issues it tackled.
This one read like a standalone with pretty much of the plot threads tied up as cleanly as the author could have, but I’m happy to get another installment next year. The ending leaves enough space for a continuation. I certainly want to see how things pan out for Fie and Tavin, Jasimir, and the Crows. This is definitely a must-read!
Born and raised at the end of the Oregon Trail, MARGARET OWEN first encountered an author in the wild in fourth grade. Roughly twenty seconds later, she decided she too would be an author, the first of many well-thought-out life decisions.
The career plan shifted frequently as Margaret spent her childhood haunting the halls of Powell’s Books. After earning her degree in Japanese, her love of espresso called her north to Seattle, where she worked in everything from thrift stores to presidential campaigns. The common thread between every job can be summed up as: lessons were learned.
Fortunately, it turned out that fourth-grade Margaret was onto something. She now spends her days wrestling disgruntled characters onto the page and negotiating a long-term hostage situation with her two monstrous cats. (There is surprisingly little difference between the two.) In her free time, she enjoys exploring ill-advised travel destinations and raising money for social justice nonprofits through her illustrations.